#ReadChristie2019– January Book of the Month– THE ABC MURDERS
GKCfan
Wisconsin, United States
Welcome to the first month of #ReadChristie2019! (https://www.agathachristie.com/news/2019/read-christie-2019).
We're talking about The ABC Murders here. Feel free to talk about the original novel, the recent BBC adaptation, and all the other adaptations of the story here, and please start any other threads on specific themes that you like. Thanks!
We're talking about The ABC Murders here. Feel free to talk about the original novel, the recent BBC adaptation, and all the other adaptations of the story here, and please start any other threads on specific themes that you like. Thanks!
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Comments
I prefer to stick to discussing the books, Agatha Christie's true skill. However, having watched the Phelps adaptation, you can admire the telling of a great story which had drama and suspense, supported by great actors and acting. It was really enjoyable.
Dr Shephard, Japp was there, Poirot met him in his Garden (Or was it his Allotment?) but shortly afterwards Japp died of a Heart attack, I assume Sarah Phelps did that as it got rid of the entourage and she then felt she had a free hand, the Dark rooms etc are an appalling idea but so common in things today, it doesn't help people with poor eye sight, It is a dark book if you want to see it like that but not as dark as the Adaptation made out, which is what Sarah Phelps was going for, another reason to dispense with Hastings and Japp as they give the Book shade and if you don't have them there is no reason to make Poirot lovable and light, Betty Barnard was [portrayed as a who when really she is a Tarter, her Boyfriend wasn't a very nice man whereas in the Book I see him as a hard done by fool.
I love the Book, I have read it many times and prefer to see the book the way Agatha Christie as light with a tiny speck of Darkness not Dark served up with a dollop of Dark
It’s going to be all change behind the screen too, as Vanity Fair writer Gwyneth Hughes will be taking over from the current screenwriter, Sarah Phelps, for this particular adaptation.