The Moving Finger or Oh Where or Where Did Miss Marple Go?
Annika
United States of America
I just finished rereading The Moving Finger. I have read it numerous times but haven't read it in several years. I was struck this time by how little Miss Marple is in The Moving Finger. I kept waiting for her to show up and it wasn't until the last 50 pages that she quietly makes an appearance and solves the case. I can't believe I never noticed this before and I think it can only be because I have watched the TV adaptations multiple times and she is in the entire show of course.
Is anyone else surprised by how little Miss Marple appears in this story? Does anyone think perhaps she needn't have been written into this particular mystery?
Is anyone else surprised by how little Miss Marple appears in this story? Does anyone think perhaps she needn't have been written into this particular mystery?
Comments
This isn't the only story in which the narrative form makes it difficult to deal with the issue of the sort of climax surrounding who has got it right and has seen what is going on all along. In The Crooked House, the narrator and hero's dad, ( the Scotland Yard detecive) at the end, seems to suggest that he, all along, has had firm idea of who has committed the murder, and that is why he has warned his son, Charles, to watch out for that person, but Charles takes it, as intended, as for that person's own safety. It is a bit odd, because in The Crooked House, here is Clever Clogs popping up with the knowledge, and we readers are rapt in admiration, only we don't really know the guy, other than as a suit, a big detective, so we can't really feel anything admiring about him, or wonder how he knew who did it. It isn't very satisfying for the reader, in my opinion in The Crooked House. I think that, as far as a writer goes, that once committed to an excellent line of narrative, it must be difficult to break it by having the thoughts and impressions of another, a sleuth, interfere too much. It breaks a brilliant flow, and TMF does have an amazing flow and feel-good feel to the narrative.
I think, Annika, that your question also highlights what is missing from TMF. It isn't just the number of times Miss Marple pops up which makes her seem absent, but the lack of that narrative form which I can't remember the word for, when the text is written in the third person but using the sort of words, syntax and reasoning sequences of a character. So in At Bertram's Hotel, many of the observations about the furnishings and staff are expressed from the sort of outlook and referencing the same attitudes as Miss Marple would have, even thought it doesn't say 'Miss Marple thought...' At Bertram's Hotel is more MM's story. Miss Marple is almost objectified in The Moving Finger, as though being seen as a strange type by an outsider. I think AC meant to experiment with this way of presenting her gentle star sleuth. In Murder at the Vicarage, a book with a similar feel-good vibe, she is presented as one of them, part of the community with shared values. I think that TMF s trying to do a different novel, thinking how Londoners would view the likes of the Dale-Calthorpes who would fit into MATV and other villagey novels. At the the end Jerry and his sister SPOILER join the village community, so perhaps AC decided that she identified with that world too much to want to objectify and sort of poke fun at it.
On Wiki it states there is a Phrase which describes when a Writer doesn't know how to move on, This seems to be why Miss Marple was included in The Moving Finger as there is no earthly reason why Jerry and The Policeman couldn't solve the Murder either the 2 should have just solved it or Miss Marple should have gone to Visit the Calthorpe's at the beginning, I like Both this one and Murder At The Vicarage but The Vicar could have solved MATV just as Jerry and maybe the Policeman could have solved TMF,To go Off-Topic for a bit I think Ordeal By Innosense would have been better with Poirot
I can only speculate that as TMF is one of AC's earlier MM novels maybe she wasn't quite sure yet how she wanted to work her in the stories. As Griselda mentioned above At Bertram's is definitely much more of a traditional MM story as is A Murder is Announced.
GKCfan: I did read about the UK and US text discrepancies and wonder if anyone has looked at the two editions side by side and noticed whether MM makes an earlier appearance in the UK edition.
On a side note I did find it interesting to learn that in TMF we learn who the killer is before MM's explanation. This is highly unusual in her writing.
So is this particular US edition edited as well?
This is the edition that I have. How is the edition that you posted (from the link) different from this edition, if there are any differences?
The HarperCollins 2011 edition is 320 pages
The Signet 2009 edition is 224 pages
Definitely need to get the 2011 edition very soon. Thanks GKCfan!